Biography
Barbro Cítron is a Swedish light lyric soprano known for her warm timbre and expressive stage presence. A Master’s graduate of the Royal Danish Opera Academy (summer 2025), she recently made her company debut at Norrlandsoperan — in collaboration with Malmö Opera — as Clorinda in Gioachino Rossini’s La Cenerentola. This year she was a finalist in the Schymberg Award and will appear as one of the Grady Girls in Keith Warner’s production of The Shining at Malmö Opera. She is currently engaged at Malmö Opera as cover in the newly commissioned children’s opera Måndag är fiskbullendag.
Barbro made her stage debut at the Royal Danish Opera as Flora in Benjamin Britten’s The Turn of the Screw (conductor Robert Houssart, director Anthony Almeida). Recent highlights include Tebaldo in Verdi’s Don Carlos (conductor Jordan de Souza, director Davide Livermore) and Atalanta in Handel’s Serse with The Baroque Society (dir. Barbara Lluch). In summer 2025 she took part in the Copenhagen Opera Festival production Ride!Sing!Repeat by Anne Sofie Keller. Active in contemporary music, she maintains an ongoing collaboration with composer Nasia Kotronia and has recorded several of her works; she is aslso collaborating with Håkon Guttormsen, sininging the title role in his chamber opera Porcelain Pink.
With the Royal Danish Opera Academy she has performed Yniold (Debussy: Pelléas et Mélisande), Barbarina (Mozart: Le nozze di Figaro), Sandman and Dew Fairy (Humperdinck: Hänsel und Gretel), The Vixen (Janáček: The Cunning Little Vixen) and Amor (Gluck: Orfeo ed Euridice). In scenes and excerpts she has portrayed Despina, Sophie, Zdenka, Cendrillon and Ilia. As part of Søholm Opera Young Artist she has sung Zerlina (Don Giovanni) in pop‑up productions, been in the ensemble for Pagliacci and covered Amahl in Amahl and the Night Visitors.
Barbro holds a Bachelor’s degree from the Royal Academy of Music and has also studied at Hochschule für Musik Franz Liszt Weimar. Her principal teachers include Tuva Semmingsen, Susanna Eken, Anne Margrethe Dahl and Michael Gehrke.